Relic point Vietnam
Việt Nam
Da Nguu Village Communal House
Da Nguu communal house in Da Nguu village, Tan Tien commune, Van Giang district (Hung Yen) said that, based on the vestiges of Ba Chua's mausoleum as well as the ordination of dynasties (including the ordination of King Quang Trung in the past Da Nguu communal house was built very early in 1520, two brothers, Cong Ca and Cong Hai, organized the construction of the communal house. When starting the construction, the village elders bought 101 ironwood trees using 100 ironwood trees as pillars, 1 split tree as a chisel handle and not using any iron nails. There are few communal houses or temples in the Northern Delta region that have a porch structure surrounded by columns Da Nguu communal house. According to the legend of the ancients: "Da Nguu is like a crouching ox, seventy-two stars" (meaning: "Da Nguu village has the shape of a lying buffalo, there are 72 earth gods"), in the middle of the village there is high terrain That beautiful, airy communal house was built with 100 columns. The communal house consists of 3 buildings: the front porch, the middle court and the back palace. The front of the communal house looks to the Northwest and has many large carved paintings The second court has rows of hammock doors carved with magnificent dragons and phoenixes and the great inscription "Long live the Holy Palace". The gilded, mother-of-pearl mosaics are hung on the columns and in front of the altar praising the merits of the three deities worshiped in the harem: Chu Dong Tu, Tien Dung and Princess Hong Van. In front and behind the communal house, there are two Ngoc wells planted with lotus. On summer days, lotus scent is fragrant. On the annual village festival (from the 10th to the 12th day of the second lunar month), the elders often hold a bathing ceremony for the thrones in the shrines at the two Ngoc wells. To the east of the communal house is the old man's house - a place to worship those who have contributed to the country, to the west is Khanh Van Tu. The ritual gate of Da Nguu communal house was built in the traditional style of communal houses and temples in the Northern Delta, including 4 pillars forming three gates. The pillar is built of bricks. The two pillars in the middle are tall and big; The two pillars on both sides are small and low. All four pillars have a top decorated with four phoenixes, the upper body of the pillar is decorated with lanterns, the middle is a box decorated with parallel sentences, and the base is tied in the form of a puffy neck. Between the two tall pillars is the main gate to the communal house. On both sides of the main gate are two side gates, above which there is a roof, in the form of 4 roofs. There is a wall surrounding the communal house. The communal house's yard is 20m wide, 32m long, paved with Bat Trang tiles. In the middle of the yard there is a path made of paved bricks that is higher than the surrounding yard. On the left side of the yard there is a Ta Vu court, where the offerings are placed. The Great Hall consists of two buildings: the Pre-District and the Main Hall, placed parallel to each other. The hall is 20m long, 7.7m wide, includes 5 compartments, 4 roofs, and a 1.4m wide corridor surrounding 3 sides. The electricity hall has the structure of a communal house. The middle space has a low floor called the boat's heart room, which is the place for ceremonies. The 4 compartments on both sides have high floors and are meeting places. The front hall has 40 columns, the main column is 4.2m high, 0.45m wide in diameter, the military column is 3.1m high, 0.35m wide in diameter. It is the column system arranged along the corridor that makes the communal house have more columns than other traditional communal houses. The front and both gables of the front hall have 2.25m high wooden doors with bars on top. Da Nguu Communal House is also a witness of historical events. Pho Duc Chinh (1907 - 1930) - one of the leaders of the Vietnam Nationalist Party, brought his organization here to build a base to prepare to fight against the French. In 1929 - 1930, Da Nguu communal house was the place where meetings took place to listen to Viet Minh cadres propagandize about the Russian October Revolution... With great values in cultural history and architecture, Da Nguu communal house was Ranked as a national monument since 1995. Source Electronic information portal of Van Giang district, Hung Yen province.
Hung Yen 2451 view
Me So Pagoda.
Me So Pagoda is located in Me So village, Me So commune, Van Giang district, Hung Yen province. The pagoda belongs to the Northern sect. Me So Pagoda is located next to the Red River dyke, in the middle of a rich countryside that has long been famous for its thousand-eyed, thousand-armed Quan Am statue. The pagoda was built in the Later Le Dynasty and has been repaired many times. The remaining vestiges were mainly restored at the end of the 19th century. Only the thousand-eyed, thousand-armed Guan Yin statue remains relatively intact. Guan Yin or Avalokiteśvara means to hear the cries of suffering of living beings in life to save them. Guanyin can manifest into thousands of different forms to adapt to every situation to save every case of suffering. With boundless magical power and power, and absolute wisdom with thousands of hands and eyes, he saved all. The statue was created in a meditating position and is quite large in size. From the crown to the seat is 1.4m high, the pedestal is 0.53m high, the lotus flower is 0.23m high, with an elegant, pure face and slim body, creating a beautiful statue in both content and form. show. The statue has two main pairs of hands, the first pair clasped in front of the chest, bearing the "standard de" seal, the other pair of hands raised above to support the lotus stems and small Buddha statue. The large hands are more or less soft and flexible, the arms are round, the bare soles are clasped at the sides in different high and low positions. The opening of the arms is high enough without obscuring the statue. Right behind the big arm is a system of small arms with hundreds of arms and eyes formed into 10 layers growing in symmetrical pairs. These ten layers of hands and eyes are divided into 3 large parts, creating the feeling of a halo radiating from the statue's head. Above the statue's head, the halo is embossed with a cloud shape with small arms intertwined like bird wings in a flying position. This bird avoids the "ungainly" halo of the image, arousing the viewer's curiosity about Buddhism. The small hands of the statue are shown with long, slender arms, the eyes are placed in the palm of the hand to form the nectar seal, these arms vary in length according to the degree of opening gradually taking the statue's head as the center, making them as having a combined function to form an aura... Together with the lotus base and pedestal, all create a complete statue with meticulously skilled lines. The contemporary concept of beauty has been conveyed by artists into the statue with elegant, benevolent lines for the face and figure. This is one of the wooden statues that represent Vietnamese fine arts of the late 18th and early 19th centuries. The thousand-eyed, thousand-armed Guan Yin statue at Me So Pagoda is the pride of Vietnamese statue sculpture, bringing many creative features while still reflecting the compassionate spirit of Buddhism and the soul of Vietnam. Me So Pagoda was ranked as a national architectural and artistic relic by the Ministry of Culture and Information on November 16, 1988. Source Electronic information portal of Van Giang district, Hung Yen province.
Hung Yen 2663 view
Dinh Dau and Ngo Temple
Ngo Temple worships Hai Ba Trung, the first Vietnamese woman to raise the flag of insurrection to drive invaders out of the country and regain independence for the country. The temple was built by our ancestors right at the beginning of the village in a spacious campus, open to all four winds, with a harmonious, solemn and magnificent landscape. The front of the temple has a semicircular lotus pond, printed with a large screen with scroll shapes shaped like flags, swords, dragons, cups, and phoenixes. In front of the temple gate are two large, tall square pillars engraved with two lines of parallel sentences: - Phong District's veteran veteran is majestic and clear in the North. - The incense garden preserves the eternal relics of Tran Nam Bang. The idea is: (The victory of the Chau Phong insurgent army resounded to heaven and earth The fragrance of the two ladies is famous forever.) Next are two floors of statues, in which are carved images of a pair of war elephants - Two Ladies riding elephants into battle. Inside the Temple, there are horizontal panels, couplets, tablets, sacrificial objects... all painted in red and gilded, overwhelming the colors. The harem has two ancient altar thrones and statues of the Two Kings and Ladies sitting in the large coffin. The statue is about one meter high, with exquisite and unique sculpted lines. With a forward posture, the statue's two arms are raised to eye level, a sign of the word Trang Khoat, seducing the three armies, holding the mountains and rivers firmly. The statue of the Two Ladies is resplendent in pink attire, radiating a halo of shimmering candle lights. Ngo Temple still retains 18 ordinations passed through dynasties since the reign of Le Canh Hung. Those are extremely valuable documents. In August 1945, Ngo Temple was the place where a large rally took place after the Van Giang district government was seized, declaring the end of the old regime and the new government returning to the people. Many years have passed, after many restorations and embellishments, Ngo temple still retains its ancient appearance. In 1989, the Ministry of Culture recognized Ngo Temple as a national historical-cultural relic, protected by the State. The historical site of Ngo Temple is forever associated with the historical sites of Dong Chau, Gieng Da, and Bai Yen. Those places marked great feats of a historical period, recognizing the efforts of the Phung Cong people who followed the Hai Ba Trung uprising. Dinh Dau was built at the same time as Ngo Temple and worshiped Hai Ba Trung - National Heroes. Dinh Dau is big, beautiful, windy, rural, ancient, mossy, filled with colors over the years. The gate of the communal house is hung with hanging lanterns and two rows of parallel sentences reminding posterity to cherish order. The pavilion curves upward toward the three mountains in the style of four sacred animals adoring the moon, covering the pre-ceremony and harem areas. The middle of the ceremony area is filled with incense burners, has a crane top, an incense burner... Above is hung a gilded hammock door. Four large horizontal panels spread across the pavilion, bearing 4 lines of text: Thanh Vuong Palace Eternal heroic spirit Thang Long determines the peak Righteousness and light All have summarized the sacred and respectful appearance of the communal house. On both sides of the ceremony area are two majestic and solemn rows of Eight Treasures and golden swords. The harem has statues of the Two Kings carved from precious stones following the national model at Dong Nhan temple - Hanoi. Around the communal house, there are many ancient trees that are hundreds of years old, providing shade and the quiet communal house marks the mark of time. In the early years of peace and the years of resistance against America, Dau Communal House was the venue for many commune-level Party Congresses and many important conferences of Van Giang district. In 1970, also at Dinh Dau, the Ministry of Health of the Democratic Republic of Vietnam organized a conference of medical leaders in the entire North, chaired by Minister Pham Ngoc Thach, to decide on major medical policies during the period. period of building socialism and fighting against America to save the country. Dinh Dau had 18 conferments throughout the dynasties and also began in the Le Dynasty. In 1989, the Ministry of Culture issued a ranking certificate recognizing Dau communal house as a national historical and cultural relic. Source Electronic information portal of Van Giang district, Hung Yen province.
Hung Yen 2600 view
Phu Thi Pagoda (Hung Phuc Tu)
Phu Thi Pagoda is located on a large campus, outside and close to the foot of the Red River dyke, in Me So commune, Van Giang district, Hung Yen province. The pagoda was built in the style of the character "Dinh" (丁), the door faces southwest and has the Chinese name Hung Phuc Tu. The pagoda was built during the Later Le period and followed the Northern sect. The pagoda has been restored many times and the most recent time was in 1991. When entering the pagoda, visitors will first go through the three gates - the gate outside the pagoda. From the outside, the three-entrance gate looks like three separate structures with three doors. The middle door is tall, built on two floors, and has a square floor plan. The upper and lower floors are equal. On the roof of the second floor is a tiled roof with four blades radiating out in four directions. On the left and right sides are two small symmetrical doors. Right behind these two small doors are steps leading to the second floor of the middle door. Passing through the three gates is the front hall (Upper Palace). Looking from the outside, the front street is built in a matchmaking style with two bell towers and drums on the roof top. The temple bell (Dai Hong Chung) was cast during the reign of King Minh Mang. Inside, visitors will see the front hall consisting of five rooms with large and airy space. Four rows of lim columns are regularly distributed in the middle of the front hall. On the central crossbeam of the front hall is a hammock embossed with the image of two dragons flanking a moon and painted with gilded vermilion. Adjacent to the inner wall are 6 statues: the statue of Khuyen Thien, the statue of Trung Evil, the statue of two holy monks, and the statue of two attendants. These statues add to the majesty of the front hall. Besides, the pagoda has many ancient statues made of wood or painted terracotta, such as Chuan De statue, Ksitigarbha statue (1.08m high); set of statues of Thap Dien Minh Vuong (0.90m high), statue of Anathapindika (1.07m high). The pagoda has been recognized by the Ministry of Culture and Information as a national historical and cultural relic. According to Decision No. 14 dated April 4, 1984. Source Electronic information portal of Van Giang district, Hung Yen province.
Hung Yen 2741 view
Plum Village Communal House
Mai Vien communal house is located in Mai Vien village, Song Mai commune - a commune with a large area, dense population and development in many economic and social fields of Kim Dong district. Mai Vien is understood in that "Mai" village is as beautiful as an apricot garden, "Vien" village has many officials and employees. According to legends and ordinations and legends among the people, Mai Vien village communal house was built quite early in the Later Le dynasty on a small scale. The communal house is located on a high, airy mound with beautiful scenery, convenient for the people's cultural and religious activities. The facade faces Southeast, in front of the communal house is an ancient banyan tree with a water well dating back hundreds of years. The courtyard of the communal house is covered with cool canopy of almond and longan trees. Looking at the entire exterior, we feel a sense of majesty and respect because of the massive and ancient appearance of the village communal house. Mai Vien communal house relic was built in the style of the letter I (cong letter) but lost the harem and 2 tea houses. Now the remains are a massive pre-worship house that has just been repaired by the people, the roof is covered with flat tiles, the gables on both sides of the communal house are covered with two pliers crowned with unicorns. Stretching the roof, the artist embossed a pair of dragons flanking the moon, bending into 3 healthy and majestic sections. The architecture of Mai Vien communal house is tall and imposing, the structure of the roof trusses from the top to the roof is in the style of overlapping beams, the system of horizontal supporting beds is embossed with stylized leaf shapes. Due to historical and social upheavals, communal house architecture was no longer consistent and had to be renovated many times during the Nguyen Dynasty, so the architectural art bears strong Nguyen Dynasty characteristics. Like other communal houses in other communes, Mai Vien communal house is considered both a headquarters for people to meet and discuss village affairs as well as a place to worship the emperor. According to the ordination and legend, the communal house worships 5 village tutelary gods and 3 holy ancestors such as: Trung Thanh Dai Vuong, Linh Lang Dai Vuong, Cao Mang Dai Vuong, Dong Vinh Dai Vuong and the tutelary god who had meritorious services to the people. , taught villagers how to burn lime, make bricks, and become masons. During the resistance war against the French, Mai Vien communal house was a gathering place for veteran revolutionary comrades. In 1942, the revolutionary movement developed, revolutionary cadres came here to create a base. The communal house is also where the base district soldiers are stationed, printing resistance documents and digging secret tunnels in the rear to protect the guerrilla soldiers. During the years of anti-American resistance, the base was still facing difficulties. Song Mai Commune People's Committee temporarily borrowed Mai Vien Communal House to hold meetings here. It was not until 1988 that it was paid to the village. Today, Mai Vien communal house still preserves precious artifacts of historical and cultural value such as: at the communal house there is currently a throne worshiped by the Nguyen Dynasty, 3 incense bowls of the Nguyen Dynasty, 2 color boxes, 1 wishing shelf with 27 colors. styled through dynasties, resonators, wooden pedestals and some other late-dating altar items, 2 bronze tops, 2 pairs of bronze candles, 1 pair of water hyacinths. In 1998, Mai Vien communal house was recognized by the state as a national historical relic. Local people not only consider this a center for cultural and religious activities, but also a place for people to organize and review ancestral traditions, fine customs and community lifestyle. Through this, there is cultural exchange between regions and between members of the same community to create bonds of compassion and neighborliness. The communal house is the pride of the people in the village. Source Electronic information portal of Kim Dong district, Hung Yen province.
Hung Yen 2886 view
Ba Chua Mua Temple
Lady Mia (1580 - 1648) Her real name is Tran Thi Cu, born on May 5, Canh Thin year (1580) in Mua village, Thien Thi canton, former Khoai Chau district, now in Cong Vu village, Vu Xa commune, Kim Dong district, Hung Yen province. Legend has it that one day, Lord Trinh Trang's chariot passed through this area, bustling with thrones and palanquins, flags filling the sky, trumpets and drums resounding, and villagers excitedly went to see. A girl cutting grass next to the main road still wore it as if she didn't know anything. When the palanquin passed, she did not look up, her hands quickly pulled the sickle to gather grass, her mouth sang softly and clearly: The hand holds the half-moon One hundred herbs are in my hands The soldiers were surprised, the singing became louder and the palanquin slowly stopped. God raised the curtain and saw a girl with stunning beauty. She responded intelligently, knowing that this was a strange woman. God ordered her to be brought back to Thang Long capital, then given her national status and changed her name to Trinh Thi Ngoc Am. She helped the lord oversee the studies in the palace of the concubines and beauties, strengthening the solidarity between the lord and the Le court. She gave birth to a daughter, Trinh Thi Minh, who was given 4 gold plates and 1 silver plate by God. Not long after, Princess Thuy Minh passed away. She was so sad that she asked to become a monk at the village temple. The Lord loved his talented wife very much, so he opened a branch river from the Cuu An River to run through the Silk village to transport precious items to build the tower. Every day, she went up to the tower to pray for the lord's palace in Thang Long. She spent money to help people clear the land and open rivers to bring water to the fields. She is rich in virtue and helps people and prays to Buddha to bless the people. She herself asked to establish and repair pagodas around the area and popularize Buddhist offerings. Not only did she make a great contribution to restoring the pagoda, but she also spent money with the people of 13 villages to build communal houses. Ms. Trinh Thi Ngoc Am died at the age of 68, people worshiped her as a god and built a temple right in her hometown. Mua Temple was built in the 17th century and restored during the Nguyen Dynasty. The architecture is in the style of the letter "Nhi". The Tam Quan gate is quite massive, with two rows of parallel sentences: Talent and beauty are everywhere in the lord's palace Complete love for the homeland Next to it is a small office building with a green stone statue, with a pot-bellied figure worshiped by an incense bowl also made of green stone touching the kneeling feet, with three ears and a tiger face. In front of the temple door is a stele erected in 1634 with the inscription: Princess Mua Trinh Thi Ngoc Am, the first concubine of Lord Trinh Trang's palace. The second stele erected in 1650 recognized her contributions to the villagers in building pagodas, communal houses, temples, shrines... In the center of the main hall, there is a stone incense burner, carved into three reliefs: the middle one is embossed with a clear image, the two sides are carved with "Dragon water", the surrounding is carved with a stylized water wave pattern, carrying the style of the temple. Later Le distance. On the two pillars of the great altar, there are two parallel lines praising her virtues: Highly talented, dignified, and powerful in controlling the mountains and rivers Accumulating virtue as a monk, the lord also devotes himself to Buddhism The harem has a statue of Princess Mua. In 1634, Lord Trinh Trang had a statue of her carved in stone while she was alive. The life-sized statue sits on a lotus throne, with a crown on its head, embossed with the image of Buddha Tathagata, large flowers in its ears, and legs folded like a person meditating. In front of the princess statue is a stone statue of the Duke, sitting cross-legged and wearing a robe. The two temples on both sides worship statues of Thi Ve and Kim Dong worshiping the princess, their bodies embossed with folded clothes. Behind the harem is a nine-grade lotus court, with a lotus flower base and a statue of the princess in her old age. On June 8, 1963, while working on irrigation for the Ngang Cau River, the citizen dug up 4 gold plates and 1 silver plate from Lord Trinh Trang as a reward for his daughter. At the bottom of one plate was an inscription. "Princess Thuy Minh, golden princess, eight-star princess" (my father's silver cup given to me, Princess Thuy Minh). From the above values, Ba Chua Mua Temple was ranked by the Ministry of Culture and Information as a National "Art" relic No. 2233-Decision/Ministry of Culture and Sports on June 26, 1995. In particular, on December 31, 2020, the Prime Minister issued Decision No. 2283/Quyet Dinh - Prime Minister, recognizing the collection of Cong Vu lotus gold plates (Mua temple, Vu Xa commune) dating back to the century XI – XII are National Treasures. Source Electronic information portal of Kim Dong district, Hung Yen province.
Hung Yen 1685 view
Dao Xa Temple
Dao Xa village together with two villages Ngo Xa and Vinh Hau form Vinh Xa commune. Dao Xa is a large village with communal houses, pagodas, shrines, temples run by Buddhist residents and a Catholic church. Dao Xa Temple, formerly known as Suong Thien Temple or Tam Giao Dong, was built at the beginning of the village on a high, airy plot of land in the first decade of the 19th century. According to the elders in the village, around 1896, Mr. Tu, in charge of incense lamps, went to Bach Ma temple in Phu Xuyen district, former Ha Dong province to ask for a temple name to worship, naming the temple Suong Thien. Since then, people in the area have come here to worship, pray for good fortune, and ask for herbal medicine to treat their illnesses. The temple was built according to the sculptural architecture of the Nguyen Dynasty, with concrete arches and foreign internal structures. By 1929, people again contributed their efforts and money to renovate the temple to make it more grand and spacious. When the Three Saints Association was born, the temple worshiped Buddha - Immortals - Saints, three religious ancestors and worshiped national heroes who had the merit of leading troops against foreign invaders such as Tran Hung Dao and Pham Ngu Lao. The name of Suong Thien temple or Tam Giac Dong represents ideas and wishes about good things and actions according to good things. Later, the name of the temple was called after the name of the village: Dao Xa Temple. The word Dao is the name of a family whose people came to explore this land the earliest and was also the most prosperous family at that time. During the period 1939 - 1945, our Party campaigned for revolutionary struggle amid the terror and fierce search of the colonial government. Dao Xa Temple was one of the facilities to hide documents of the Hung Yen Party Committee. During the August General Uprising of 1945, many large meetings of the commune were held at the temple. When the resistance war against the French colonialists was fierce, this land was occupied by the enemy for a time, Dao Xa temple was a place where our cadres safely set foot to develop the movement, sometimes playing the role of outsiders. Temples to worship, sometimes people go to the temple to ask for medicinal leaves to treat their family members. In the temple there is a secret vault to hide officials. The rockery is raised in the middle of a lake on the campus for the purpose of hiding documents, so it is shaped like many caves and creeks deeply embedded in the middle of the faux-painted rock, looking strange and discreet. Entering the resistance war against the US, the Command of Military Region III came here to open a Military Conference to discuss combating the enemy's sabotage war and policies on measures to support the Southern battlefield. Next, the Ministry of Health chose Dao Xa temple as the evacuation location for the Pharmaceutical factory. Dao Xa Temple also preserves many precious artifacts, in addition to the elaborately built Rockery, including 24 statues, each with its own attractive look. Many sacrificial objects have sculptural value such as Ngoc Bo palanquins, thrones, hammock doors, parallel sentences along with many rare antiques such as vases, flower vases, chores, incense bowls... Dao Xa Temple, Vinh Xa commune, was ranked by the State as a National "Historical and Artistic" relic according to Decision No. 570, September 1998. Source Electronic information portal of Kim Dong district, Hung Yen province.
Hung Yen 1800 view
Dinh Thanh Sam
Thanh Sam communal house is located on high, airy land in Thanh Sam village, Dong Thanh commune, Kim Dong district, Hung Yen province. According to feng shui theory, the communal house is located on the land in the shape of a "dragon's head", in front is a large lake, surrounding the communal house is a large road like the "back of a beam", creating a beautiful space for the ancient communal house. . With that location, Thanh Sam communal house is considered to be placed in a "favorable position", where children and grandchildren will enjoy long-term prosperity. Thanh Sam communal house is the place to worship the two village tutelary gods: Huong Thien Ninh Quoc Dai Vuong (Pham Thien) and Dao Quang Vinh Yen Dai Vuong (Pham Quang) during the reign of King Hung Vuong. The two were instrumental in helping kings and generals defeat enemies, establish order in the country, and bring a prosperous life to the people. Not only that, Thanh Sam communal house and the relics still preserved at the site are extremely valuable historical sources in studying the formation and development of Thanh Sam village. Thanh Sam Communal House has an overall floor plan layout of "First, later Dinh" style including: 05 Dai Bai spaces, 05 Trung Tu spaces and 02 Hau palace spaces. The architectural structures are all made entirely from synchronous, strong and durable wood materials with many beautiful carvings, imbued with the architectural and artistic style of the Nguyen Dynasty. The carved panels represent many decorative themes, extremely rich and diverse folk legends such as: Four sacred animals, four precious animals, pine locs, pheasants, flip leaves, twisted patterns, carp... All reflects the high aesthetics and creative talent of contemporary artisans. At the communal house, a number of typical and valuable relics are preserved such as: Ordination (Nguyen dynasty), miracles, great characters, parallel sentences, thrones and tablets, altar palanquins,... With particularly typical values, the architectural and artistic relic of Thanh Sam communal house has been ranked by the Minister of Culture, Sports and Tourism as a national architectural and artistic relic (in Decision No. 887/Quyet No. Dinh - Ministry of Culture, Sports and Tourism April 15, 2022). Source: Department of Culture, Sports and Tourism.
Hung Yen 1614 view
Memorial area for cultural celebrity Le Quy Don
The memorial area of scientist Le Quy Don in Dong Phu village, Doc Lap commune, Hung Ha district is a place to store and preserve artifacts and traces that were closely associated with the scientist - an outstanding Vietnamese cultural celebrity. Male. Le Quy Don's real name is Le Danh Phuong, full name is Doan Hau, nickname is Que Duong, born on the 5th day of the 7th month, year of Binh Ngo, that is, June 2nd, 1726 in Dien Ha village, Son Nam Ha town, now is Dong Phu village, Doc Lap commune, Hung Ha district, Thai Binh province. His father, Le Trong Thu, passed his PhD as an official at the Ministry of Justice and Marquis. Her mother is Truong Thi Ich, daughter of Dr. Truong Minh Luong, who is a Hoang sect official. When he was young, Le Quy Don was famous as a child prodigy. In 1739, he followed his father to the capital to study with Dr. Le Huu Kieu. At the age of 18, Huong passed the exam and won the first prize, then stayed home to teach and write books. At the age of 27, he passed the Hoi exam and passed the Dinh exam. Le Quy Don successively worked at the Academy, the Toan Committee to study national history, went to Liem Phong to participate in military affairs, went to China as an ambassador, worked at Lord Trinh's palace... and was gradually promoted to the positions of Academy Officer and Private Career. Quoc Tu Giam, Litigation, National History General, Hiep Town... In 1784, he was promoted to Minister of Public Affairs, titled Nghia Phai Marquis. That same year, he fell ill and returned home to recuperate in his maternal hometown, Nguyen Xa village, Duy Tien district. (now in Ha Nam province) he died here on the 14th day of the 4th lunar month at the age of 58. His wife is Mrs. Le Thi Trang, daughter of school teacher Le Huu Kieu. He has four sons, Quy Kiet, Quy Ta, Quy Chau, Quy Nghi. Le Quy Don's creative career is very voluminous, he has written about 40 books of all kinds including most contemporary knowledge such as history, poetry, philosophy, classic commentaries, general categories... which is a treasure trove. precious treasure of the country's academic system. The memorial area for cultural celebrity Le Quy Don includes three works: From the street of cultural celebrity Le Quy Don, the mausoleum of Le Trong Thu (Le Quy Don's father), and Le Quy lake. 1. From the street of cultural celebrity Le Quy Don Tu Duong includes the five-room Bai Duong court, the Middle Palace and the Hau Palace, each with three compartments. Tu Duong's predecessor was the home of Le Quy Don. When his father passed away, Le Quy Don converted it into Tu Duong, until his lifetime. Le Quy Kiet also brought Le Quy Don's tablet back with his grandfather. Local people often call this place from Le Quy Don street. 2. Le Trong Thu Tomb. Le Trong Thu (1693 - 1783), was a mandarin during the Le Trung Hung period in Vietnamese history. He was the father of a great Vietnamese scientist during the feudal period, Le Quy Don. Le Trong Thu, Mr. Truc Am, studied very brightly as a child, was famous as a prodigy, and grew up studying with the Vu family's Tham Hoa in Ha Nam. At the age of 27, Le Trong passed Huong Tien, at the age of 31, he passed the 3rd rank of Doctorate. Origin, Giap Thin department, Bao Thai year 5 (1724), reign of King Le Du Tong and Lord Trinh Cuong, served as an honest mandarin Famous inside and out, at the age of 65, he retired to the position of Household Minister Huu Thi Lang. Not long after, he was invited to become a mandarin for the second time, promoted to the position of Minister of Justice, then retired at the age of 80. 3. Ho Le Quy. In the 26th year of Canh Hung (1765), he asked the court to return to his hometown to "close the door and write books". To relax and have conditions to read and write books, Le Quy Don dug a large lake. In the middle of the lake, build a small island, plant ornamental plants, and build a Thu Lan. During this time, he wrote many books "specially focusing on geography" such as: Geography of Essence, Compendium of Geography... Perhaps the chapter on images and products in the Van Dai language series was also prepared with documents from this period. The Memorial Area of cultural celebrity Le Quy Don was ranked a National Monument by the Ministry of Culture, Sports and Tourism on December 12, 1986. Source: Department of Culture, Sports and Tourism of Thai Binh province
Hung Yen 3756 view
Thien Hau Temple (upper temple)
Thien Hau Temple (Thien Hau Upper Street) is located on Trung Trac Street - Quang Trung Ward - Hung Yen Town. The temple was built in 1640 by 14 Chinese families in Guangdong, Guangxi and Fujian donating money to build it. Thien Hau Temple worships Mrs. Lam Tuc Mac, according to "Dai Nam Nhat Thong Chi", she is a sea god. Lam Tuc Mac was born on March 23 (lunar calendar) as the 6th daughter of Lam Nguyen, from Bo Dien, Fujian province (China). Legend has it that when Lam Tuc Mac was born, he had a sweet fragrance and a brilliant aura. Lam Tuc Mac is very smart. When he was 8 years old, he went to study immortality, trained to become righteous, could call rain and wind, and use magic to ride a flying mat on the sea. When the people had poor harvests and famine, she found seaweed to eat instead of rice, noodles, and barley, so the people were no longer hungry. She found a type of magnolia oil and sprayed it on the ground to grow plants to grow seeds to eat instead of rice... On the 9th day of the 9th lunar month, she was no longer sick but cured. After transforming, she often wore a red shirt and flew over the sea to help passing boats. Fujian people worship her as the god of navigation. Wherever there are Fujian people, there is a temple to worship her. When migrating to Pho Hien, Fujian people built a temple to worship her on Bac Hoa street (now Trung Trac street). Thien Hau Temple is a project with bold Chinese architectural colors in many items such as: ritual gate, incense burning house, roof, corner blades and truss structure. Legend has it that the temple was built in China and then brought to Pho Hien to build it. Nghi Mon is built like a house, with a tiled roof, the architecture of the pillars, and the door system engraved with images of civil and military mandarins and their followers. The terrace is paved with pebbles that have not worn away through wind and rain for hundreds of years. In front of the ritual gate, there is a pair of goats: the male holds a jade, the female holds a baby, made of marble, very vivid artifacts. The two stone pigs represent the Chinese concept of life: having wealth and having children is the greatest happiness in life. The inner temple area is built in the style of a Dinh letter, including an incense burning house and a harem. The match-stacked incense burning house has 2 floors and 8 roofs, the roof is tiled, the roof line is decorated with Buddha sitting on a lotus, surrounded by passersby. The entire system is structured in a special form with each theme and Chinese story such as: Three Kingdoms, Journey to the West... In addition, here are also decorated with various kinds of flower strings, bowls of horses, pantyhose, and scenes. four seasons: Spring, summer, autumn, winter. The harem consists of 3 rooms, the architecture is "stacked with wings", the ends are carved into the shape of a carp. The outer harem worships Lam Tuc Mac while the inner hall worships her parents, siblings and the Chinese families who contributed to building the temple. Every year, Thien Hau Temple holds festivals on March 23 and September 9 (lunar calendar) to celebrate the birth and transformation of Lam Tuc Mac. A large number of Chinese families in Pho Hien and Vietnamese people came to worship. During the festival, a grand palanquin procession is held, offerings include seaweed cakes, turtle cakes, To Chau cakes... which are traditional Chinese products. Thien Hau Temple is one of the very few ancient Chinese architectural works in Pho Hien still preserved today. With the purpose of preserving and promoting to the masses, Hung Yen province restored Thien Hau Temple to be spacious and clean and in 1992 it was recognized by the Ministry of Culture and Sports as a historical and architectural relic. Artistic architecture. Source: Hung Yen Electronic Newspaper
Hung Yen 2734 view
