Relic point Vietnam

Da Nang

Thac Gian village communal house

Thac Gian village communal house was built a long time ago. In the beginning, the village communal house was built with bamboo thatch. During Minh Mang's reign, the village communal house was rebuilt with wood and thatched roof. According to many recorded documents, Thac Gian Village was originally named Thach Gian and many other names such as Thach Gian, Thach Gian, a land that was explored early, around half of the 15th century. In the seventh year of Tu Duc (1854), the communal house was built with bricks, the roof was covered with yin and yang tiles and continued to be renovated in the third year of Duy Tan (1909), the first year of Khai Dinh (i.e. 1916) from contributions. of villagers and in 2009 was restored again from the city budget with a cost of more than 4 billion VND. The first person who was recognized by the people for leading a group of people from the North here to start farming was Mr. Huynh Van Phuoc. After that, the ancestors of the Nguyen, Le, Ngo, Pham, Truong, and Tran clans continued to cultivate and settle to build Thac Gian Village, which became increasingly prosperous and crowded. In the past, Thac Gian was a large village. Until the early 19th century, the boundary: East bordered Hai Chau village and went straight to Vung Rong; The West borders Xuan Dan village, Da Nang Bay and the South borders Binh Thuan and Lien Tri villages (now Hoa Thuan Dong and Hoa Thuan Tay wards, Hai Chau district). The communal house's roof is covered with yin and yang tiles, the edge of the roof is decorated with the image of "two dragons and moons" made of porcelain, and the corners are decorated with images of turtles and phoenixes. The eaves border is mounted with a Hue blue enamel plate. The communal house has two main architectural parts: the main hall and the rear hall connected behind. + The main hall has a wide floor plan, with four sets of trusses in the style of a three-compartment, two-wing house, with five rows of pillars, each row of six columns, supported by two layers of stone: the upper layer is octagonal, the lower layer is fruit-shaped. squash. The temple's rear is built with bricks and lime mortar in a rolling arch style to create a high fake castle. Hau Tam is the place to worship the village Tutelary God and Phi Van General Nguyen Phuc. Notably, in front of the communal house's yard, on both sides of the screen, there are a pair of elephants built with bricks and mortar flanking the main hall. To the northeast of the communal house is the Am Linh temple, behind the communal house there is a repatriation house built of bricks, wooden rafters, wooden beams, yin-yang tiled roof, tiled floor... This place, in the past, was a meeting place for elders, relatives, and dignitaries. In the left and right spaces, everyone attending the meeting, depending on rank and age, sits in the front or back. This is the place for the celebrants, priests, ritual students, deacons... to prepare their vestments before entering the ceremony. After the sacrifice, the homecoming house is also used as a place for villagers to eat. – Tru house: is the house used as the kitchen of the village communal house. The cooking house is built next to the left of the repatriation house. The tru house is built with brick walls and tile roof. Water well: the water well is dug next to the chef's house. In the past, this was the first and only well built, very deep, and the water was clear, so in addition to serving the village communal house, people in the village also came to take water for use during holidays, Tet or family worship days. family. According to the elders in the village, this is one of three ancient wells in Binh Thoi Ha district. These are Bong wells (in Binh Thuan village - now in Binh Hien ward, Hai Chau District); Tu Van pagoda well (now in Vinh Trung ward, Thanh Khe District). Having gone through many historical events, Thac Gian communal house is one of the few communal houses in Da Nang that still preserves extremely valuable artifacts: 18 ordinations and 38 decrees and decrees of the Later Le and Late dynasties. Nguyen Dynasty, was formed with specific architectural features. Among them, the earliest was conferred in the 7th year of Minh Mang (1826) and the latest was conferred in the 10th year of Bao Dai (1935). In the past, Thac Gian communal house was the place to organize and maintain many traditional festivals of the villagers, such as the Second Autumn Festival, the Thanh Minh Festival, the death anniversary of ancestors, the Lunar New Year Festival, and competitions. Reading wishes, performing operas... and many other folk activities. Thac Gian Communal House was recognized as a National Monument by the Ministry of Culture and Sports on August 27, 2007. On April 17, 2011 (the 10th day of the third lunar month), at Thac Gian village communal house, for the first time the village communal house festival was restored and held on a grand scale. Thac Gian communal house currently lives in group 7, Chinh Gian ward, Thanh Khe District, Da Nang city. Source: Tuoi Tre Chinh Gian Ward

Da Nang 3548 view

Rating : National monument Open door

I-pha-nho cemetery

Da Nang has a relic that has existed for nearly 160 years, marking the unjust war of the expeditionary force and the resistance of our people and people against the invaders. This relic is a testament to the history of Da Nang. That is the I-pha-nho cemetery, where 32 French and Spanish soldiers who died when invading Vietnam from 1858 to 1860 are buried. At the end of Yet Kieu Street (Son Tra District) near Tien Sa tourist area, it is not difficult to find a cemetery on a fairly flat hillside, previously called Skeleton Hill by the French. People here often call it Ma Tay area. The grave area was grassed, neat, and the stone walls were firmly built. Outside the fence are green porcelain and areca trees. The chapel has been newly painted and bright. This house is 3.5m wide, 12m long, 4m high, including one main door and two windows. On the altar according to Catholic rites, place a Spanish relief. There is a small incense pot with many thick incense sticks. There are currently 18 small tombs and 14 large tombs remaining. Among them are graves whose stone steles still have clear words to read, such as the grave of Casoon Cabandon, of the 14th company, who died on August 8, 1859; Don Juan Romani died in battle in September 1858; Labra Anton, engineer captain born in Lille 1820 died in Da Nang 1858... According to documents, when the first cannon shots of the French-Spanish coalition were fired at the defensive fortresses of the Vietnamese army in Da Nang on the morning of September 1, 1858, opening the invasion of our country, the invaders The invasion was met with fierce resistance from our army and people. Until the end of 1858, they were still unable to achieve their goal of expanding the occupied area, breaking our defense, and creating a turning point in the war. The coalition commander at that time, Admiral Rigault de Genouilly, decided to change direction to attack Gia Dinh. In early February 1859, they left only a company of soldiers and a few warships in Da Nang. The remaining troops were transferred to attack Gia Dinh. On May 8, 1859, Rigault de Genouilly sent his army back to Da Nang, launched a large-scale attack, aiming to reverse the situation and consider attacking Hue. But this plan ultimately failed. In February 1860, General Page was forced to send people to pray for peace with us to carry out the plan to delay troops. After that, the French army here was ordered to withdraw to support the Chinese battlefield. Thus, after nearly 19 months of war, the French army failed in their dark plot on this battlefield, had to wrap up and leave behind "a tower of bones containing thousands of crosses". There are no complete statistics on the enemy's losses, but the graves of the expeditionary soldiers scattered throughout the foothills of Son Tra peninsula are still there. In 1895, Governor General of Indochina Paul Doumer moved more than 40 officers' graves to a high mound and built a chapel here, surrounded by walls. Under the chapel floor is a deep dug tunnel to arrange iron boxes containing the remains of soldiers brought from different places. On the stone stele standing in front, there is also a clear inscription: "À la mémoire des Combattants Francais et Espagnols de l'Expédition Rigault de Genouilly mort en 1858, 1859, 1860, et ensevelis en ces lieux" (In memory of the French and Spanish soldiers in Rigault de Genouilly's expeditionary army died in 1858, 1859, 1860 and were buried here). Source: Da Nang police newspaper

Da Nang 3177 view

Rating : City-level relics Open door

National Temple of Tam Thai

Located in the Ngu Hanh Son scenic complex, on Thuy Son mountain, Tam Thai Pagoda is the oldest pagoda in Da Nang city. Tam Thai Pagoda was first built in 1630 with the literal name Tam Thai Tu. By the Tay Son period, the pagoda was completely damaged. In 1825, during the reign of King Minh Mang, the pagoda was rebuilt and under the Nguyen Dynasty, the pagoda was decreed to be a National Tu. The appearance of the pagoda today has changed compared to the original because it has undergone many restorations between 1907 and 1995. Currently, the pagoda still retains the Tam Thai Tu sign and the The heart-shaped golden tablet is engraved according to the pen of King Minh Mang with the content praising the Buddha Dharma for its immeasurable compassion and universal compassion for all sentient beings... Because of its beautiful and ancient architecture and located in the Ngu Hanh Son scenic complex, Tam Thai Pagoda attracts many tourists every day to worship and offer incense. From the foot of Thuy Son mountain, visitors follow the time-printed stairs to reach Tam Thai. The pagoda has 3 floors: The first floor in the north is called Thuong Thai. The second floor to the south is called Trung Thai. The third floor to the east is called Ha Thai. The architecture of Tam Thai Pagoda has Tam Quan gate, main pagoda, ancestral temple corridor area and other works of art. In front of Tam Thai Pagoda is a large yard with tall trees spreading shade throughout the yard. The Tam Quan gate is made in the style of a roofed bell tower and looks very ancient. When passing through the Tam Quan gate and reaching the inner courtyard, the Maitreya Buddha statue will be the first image visitors see. The statue is carved from sandstone and is quite large in size. On both sides of the yard are palaces, which King Minh Mang built as a place to rest when visiting the pagoda. The main pagoda is located behind this courtyard. The pagoda is built of bricks, facing south. The roof is tiled with glass, the roof is decorated with two dragons flanking the moon, and the columns are decorated with dragons and phoenixes. On both sides of the front wall are reliefs of Ta Phu and Huu Bat - two deities guarding the pagoda. The main hall of the pagoda worships Amitabha Buddha, Bodhisattva Avalokiteshvara and Mahasthamaprapta. In general, the overall architectural landscape of the pagoda is built in the shape of the letter Vuong with many highly aesthetic lines. According to historians and architects, Tam Thai pagoda is typical of pagoda architecture during the Nguyen Dynasty. Besides the main works, Tam Thai pagoda also has Vong Giang tower, also known as Vong Giang Dai. This is the highest point on Thuy Son mountain. If you stand from here, visitors can see a vast area, covering the majestic scenery of Ngu Hanh Son, in the distance are the surrounding Han and Cam Le rivers. co. Although the current pagoda architecture has the typical architectural style of the Nguyen Dynasty because it has been repaired many times, Tam Thai Tu is still considered an ancient pagoda in Da Nang because this spiritual project has been constructed. Built in 1630. With great historical value, Tam Thai Pagoda has been recognized as a national historical-cultural relic. Source: To Quoc Electronic Newspaper

Da Nang 3537 view

Rating : National monument Open door

Phu An - Phu Xuan Tunnels

Phu An - Phu Xuan Tunnels were constructed from 1965 to 1966, while the American enemy massively sent troops into the South of our country, waging a local war. The enemy encouraged people to enter the corner area, aiming to isolate and separate our army and people. With a length of 850 meters, connecting the two villages of Phu An and Phu Xuan in Dai Thang commune, located right at the armpit of the My - Pup camp but surrounded on three sides by the Thu Bon and Vu Gia rivers, there are also village bamboo ramparts. shelter. Under the direction of the Quang Da Special Region Party Committee and the determination of the army and people of Dai Loc region B, every night, mothers, fathers, children, guerrilla soldiers... always take turns keeping watch. The enemy's aircraft and heavy artillery just crept into every corner of the dug tunnel, carrying baskets of soil to form the tunnels: Phu An - Phu Xuan tunnel has a strategic stature: it is one of the forward bases of the Quang Da Special Region Party Committee. This place continuously receives large sources of officers and main troops from the rear to supplement the battlefield; workplace and meeting place of the Quang Da Special Region Party Committee, Region V Party Committee, of Front 44 from 1965 to 1972. This is also a safe place for comrades: Vo Chi Cong - former Secretary Regional Party Committee of Region V, General Chu Huy Man - former Deputy Secretary - Commander of Military Region V, General Doan Khue - former Deputy Political Commissar of Region V, Lieutenant General Nguyen Chanh - Commander of Front 44 Quang Da, Former Admiral Navy Giap Van Cuong - former Standing Committee of the Special Zone Party Committee - Deputy Commander - Chief of Staff of Front 44 and many other leaders and generals who fought and worked in the Quang Da battlefield were also present on the land. Phu An. Comrade Pham Duc Nam, former Chairman of the Revolutionary People's Committee, Chairman of the Forward Council of Quang Da province at that time commented: Phu An - Phu Xuan Tunnels is "a great contribution of the Dai people". Victory for the entire province's cause. Now, when I remember, I am still grateful to the people, the guerrillas, the Party Committee, the survivors, and those who fell in this heroic land." Phu An - Phu Xuan Tunnels are also a place for guerrillas, commune and village officials to stay and fight the enemy; is where the forward command post was located in battles when our troops attacked the enemy at An Hoa and Duc Duc bases. With the scale of the project and the achievements left behind, Phu An - Phu Xuan Tunnels will forever exist as a glorious victory in the history of the nation's revolutionary struggle, and the pride of the people of Dai Loc. The country has entered the phase of construction and development. It is also necessary to restore historical relics and educate traditions for present and future generations to remember the victories and sacrifices of their fathers. Remembering the past, we make today's life more beautiful. Source: Electronic Information Portal of Dai Loc District People's Committee

Da Nang 2989 view

Rating : National monument Open door

K20 Revolutionary Base Area

The K20 revolutionary base is considered a symbol of the resilient and indomitable revolutionary spirit of the people of Da Nang in general and of Ngu Hanh Son district in particular during the resistance war against the US to save the country. The name K20 - is the code name to refer to the Da Man revolutionary base, where the District III Party Committee and the Da Nang City Party Committee are stationed to lead the revolutionary movement. In 1965, the situation in Da Man and Bac My An in particular, and Da Nang city in general, was extremely complicated. The US began sending troops into the South, implementing the "Local War" strategy, building many large military bases in the South, including Da Nang. The US goal is to build Da Nang into a military base that combines the Navy, Army, and Air Force in a solid, long-term manner, located in the North; protect the capital of the puppet puppet regime in the South, so the US built more bridges across the Han River, built a helipad in Nuoc Man, expanded and strengthened Da Nang airport and sent 17 orders. The American and Wei Dynasty arrived in Da Nang. For the US, this is a very important place, with facilities concentrated for the war in the Central region. As for us, the K20 revolutionary base is located in Da Man 5 residential area, Khue My ward, Ngu Hanh Son district, about 10 km southeast of Da Nang city; The Northeast borders the sea, the West is the Han River, the South is sunken fields and the Vinh Dien River; At the same time, it is adjacent to Hoa Vang district and Da Nang city, and is a gateway to block and protect the city from the Southeast. After the Geneva Accords, the United States and Ngo Dinh Diem's ​​lackey government built many posts around Da Man Base to form a closed military belt and an evil government apparatus to restrain the people. people and prevent revolutionary forces from entering. That's why Da Man is considered a buffer zone for our soldiers, officers and guerrillas to use as a springboard to attack US and Puppet bases. That shows that K20 has an important strategic position in the resistance war against the US to save the country. The "steel" land to build and develop the revolutionary struggle movement right in the heart of the enemy, the connection point between the local revolution and the surrounding areas of the city and Quang Nam province and an important springboard for Our armed forces raided enemy military bases. Also since 1965, Party cadres, all levels, branches and armed forces who came to the inner city of Da Nang to direct the revolutionary movement all passed through and stayed at Nuoc Man base, operating right in the enemy's heart. to continue building the base, destroy evil, support the people fighting for civil rights and democracy in the city, protect the safety of Nuoc Man base, and take partial control of surrounding areas such as Ma Da, Da Phuoc, My Thi. The question is, right in the heart of the enemy, how can revolutionary cadres keep secrets and fight within the enemy's siege? At this time, relying on the people is considered a vital issue of the revolution and answers that urgent question. An underground battlefield was formed, which was a system of sturdy secret tunnels and trenches dug right in people's houses. In 1968, the District Party Committee of District III led by comrade Dang Hong Van instructed the people on the model of secretly digging tunnels, creating a network of underground tunnels in the village to hide revolutionary cadres. Hundreds of households actively dig tunnels day and night, forming a tight system. Each such cellar housed four to five revolutionary cadres. Although the enemy launched many raids in the village to destroy the core force, they were unable to detect it. Tunnels are dug everywhere in the house, under the bed, in the garden, on the porch... creating a solid fortress. Da Man created a revolutionary battlefield right underground during that time. The cellars were made very elaborately by the people. The tunnel mouth and entrance are very narrow, but the inside is wide enough for revolutionary cadres to do their daily activities. In addition to the main tunnel mouth, there is also a fake tunnel mouth. If there is a henchman to point out, the people will smash the mouth of the tunnel, pretending to be bricks and stones, falling down to cover the mouth of the main tunnel, both deceiving the enemy and signaling the soldiers to escape. The highlight of the secret fortification system built in K20 during this period is its high mobility and large scale. In many families, or between neighboring families, there are connecting branch tunnels that can hide many people at the same time, creating a continuous situation that is very convenient for movement, avoiding the discovery of appeared, swept away the enemy. An underground battlefield was built with a dense system of secret bunkers, sometimes up to 157 bunkers. Currently, there are still a number of secret vaults left in churches such as Mr. Huynh Phien's church, Mrs. Nhieu's church, Huynh clan's church and Mr. Huynh Trung's house. These four locations have been ranked as historical relics in the K20 National Historic Site area. Thanks to this secret tunnel system combined with revolutionary self-awareness and solidarity for the goal of liberating the homeland, the K20 army and people have achieved many glorious victories. Typically, the battle at Nuoc Man airport on October 28, 1965 was carried out by the armed forces of Da Nang City. Successfully organizing the memorial ceremony for President Ho Chi Minh, in the midst of enemy siege, the ceremony was still held very solemnly, solemnly and safely as if it were taking place in a liberated area. In particular, on the morning of March 29, 1975, the K20 people coordinated with the Quang Da armed forces to simultaneously rebel and attack all US and puppet facilities in the area. At 9:00 a.m., the flag of the National Front for the Liberation of South Vietnam was planted at Nuoc Man airport, signaling the complete victory of the army and civilians in the base area, contributing to the excellent completion of the cause of national liberation. with the role and function of a resistance base inside the enemy. Source: Da Nang Electronic Newspaper

Da Nang 3280 view

Rating : National monument Open door

Phuoc Lam Pagoda

Phuoc Lam Pagoda is in Thanh Ha Commune, Cam Ha Ward, Hoi An City, Quang Nam Province. According to the history of Dang Trong Buddhism, Phuoc Lam Pagoda was founded by Zen Master Thiet Dinh - Chanh Hien, name An Triem, (1712 - 1796) in the mid-18th century. The pagoda was restored many times in 1822, 1864, 1891, 1909, 1965... There is an epitaph recording the process of restoring the temple. In the 4th year of Duy Tan, Phuoc Lam Pagoda was honored with the Golden Sea of ​​Four Colors, an honor reserved only for private pagodas that have made great contributions to faith and community welfare. The building has unique architecture. The campus of the project is Mon-shaped with 3 main areas: gate, yard and main hall. 1. Three-entrance gate There are 2 side gates on both sides in the East and West and 1 main gate in the middle, both built of bricks. Above the main gate is the inscription "Phuoc Lam Tu" 2. Temple yard The temple grounds are shaded with ancient trees, ornamental plants and flagpoles. Surrounding the yard are screens, the East building (where to receive guests and the monk's residence) and the West building (place of worship). 3. Main hall This is a house with 3 main rooms and 2 side rooms covered with yin and yang roofs, a boat-shaped roof embossed with winding dragons, phoenixes, and unicorns. The main hall is the area where statues of Buddha, statues of Avalokiteśvara Bodhisattva, statues of Mahasthamaprapta Bodhisattva and altars of Tram Trai and Four Heavenly Kings are placed. 4. Ancestral church The ancestral church is a new building built in 1965 right behind the main hall. This is the worship area for the person who founded Phuoc Lam pagoda and the deceased abbots. Currently, Phuoc Lam Pagoda preserves many valuable antiques, typically: delicately carved ancient woodblocks, sets of ancient porcelain bowls, bronze bells, bronze bells, incense burners, wooden boards, and censers. , celadon porcelain bowls, wood-carved Buddhist scriptures...... After more than 200 years of existence, the building is tinged with the moss of time but the value left by Phuoc Lam Pagoda remains forever. Phuoc Lam Pagoda was ranked as a national monument in 1991. Source: Quang Nam Museum

Da Nang 4399 view

Rating : National monument Open door

Cantonese Assembly Hall

The Cantonese Assembly Hall is located at 176 Tran Phu Street, Hoi An City, Quang Nam Province. The Cantonese Assembly Hall is known as an important historical relic of Hoi An ancient town. With Chinese-style architecture. The Cantonese Assembly Hall was built around the end of the 18th century. From the 15th to the 19th century, Hoi An was one of the main trading ports of our country, not only that, it was also visited by many Chinese people. reside, trade and do business. An association of Chinese Guangdong merchants, when coming here, decided to build an assembly hall in 1885. This place became a place of worship and a gathering place for compatriots to meet, regularly helping each other in business. as well as other life needs. The Cantonese Assembly Hall in Hoi An is also known as the Quang Trieu Assembly Hall. Initially worshiping Confucius and Thien Hau Thanh Mau, after 1911 it was converted to worship Tien Hien and Quan Cong. With a unique architecture built in the shape of the national character, from wood and stone materials, the assembly hall is a closed building with three-entrance gate, a large garden decorated with many ornamental plants, in the middle is Phuong communal house, East and West sides of the house, main hall and backyard,... quite similar to other assembly halls in Hoi An. • Triple gate:. There are 3 large paintings of 3 famous mandarins of the Three Kingdoms period: Liu Bei, Truong Phi and Quan Cong. • Pre-electric house:. With a large scale, this place includes elaborately carved stone walls. The roof has many levels, has a soaring shape interspersed with embossed images bearing ancient legends. • Campus of the Assembly Hall:. Including a large garden, with many ornamental trees that are meticulously cared for and pruned. In the middle of the yard there is a large lake, inside is a winding dragon image carved based on the legend. "Ly fish turns into dragon". • Main hall:. With a large space, characterized by large supporting pillars divided into 3 compartments: the middle compartment worships Quan Cong, the remaining two sides worship Phuoc Duc Chanh Than and Thai Bach Tinh Quan. • Left vu, right vu:. To connect the electricity bill with the main hall, both sides also have a left vu and right vu which are simply designed. • Place to welcome guests:. Located to the right of the main hall, it is also the place where important conferences are discussed. • Backyard: The clubhouse's backyard is very spacious with many trees. The highlight is a delicately carved dragon-shaped fountain and a large painting of Quan Van Truong. Currently, the Guangdong Assembly Hall still retains highly valuable ancient relics such as four large horizontal panels, a pair of Chinese celadon porcelain pedestals, a bronze censer up to 1.6 meters high... The most special among That is the painting of Guan Gong riding a horse to protect Liu Bei's wife, solemnly hung on the stone wall at the guild hall. According to the explanation of the Guangdong Assembly Hall, this painting is associated with a real story in Chinese history. In the first lunar month of every year, the Nguyen Tieu festival will be held at the guild hall to pray for a year of good weather, good business, and meetings with fellow countrymen. In addition, on the 24th day of the 6th lunar month, there is also a huge Quan Cong festival to express respect to the talented general. Source: Quang Nam Tourism Newspaper

Da Nang 3929 view

Rating : National monument Open door

Chuc Thanh Pagoda

Chuc Thanh Pagoda is located in area 7, Tan An ward, Hoi An, Quang Nam. This is where the Chuc Thanh Zen school of Lam Te Zen was born. With a diverse collection of Buddha statues and unique ancient architecture. Among the famous temples in Hoi An, Chuc Thanh Pagoda is the most sacred and oldest temple in the Quang region. Built in the 17th century by Zen Master Minh Hai. Chuc Thanh Pagoda was built in the triangle architectural style. This is a blend of typical decoration and sculpture of Vietnamese and Chinese culture. This is also the most popular and popular architectural style in temples in Vietnam. The three-entrance gate with its ancient tiled roof and the image of two solemn unicorns, along with the image of three blooming lotus flowers, all create a solemn and sacred space according to Buddhism. The most special part of the temple grounds is the ancient tower with 16 tombs. This is where the remains of Patriarch Minh Hai and many other saints of the sect are stored. In addition, within the temple grounds there are many statues of gods and Buddhas sculpted extremely sophisticatedly and vividly, creating unique experiences when visiting. The main area is built in the middle of the campus, with a strong column truss system. The pagoda's roof is covered with soft, curved yin-yang tiles. At the top of the roof is a pair of dragons facing each other, leaning towards the sun in the middle. Behind the two dragons are two phoenixes flying out and looking back. Next, down to the porch, the temple roof is decorated with patterns, carved with images of Shakyamuni Buddha from birth to death, and at the last corner of the porch are two unicorns standing facing the front. Inside, in the middle space, there is a statue of the Three Worlds at the top, on the lower table is a statue of Maitreya Buddha, on both sides are Ananda, Kasyapa, statues of Bodhisattvas Manjushri and Samantabhadra, and statues of 18 Arhats. On both sides are statues of Ho Phap and Tieu Dien with a height of 1 meter 75 meters. Furthermore, inside the main hall there is also a system of large and small drums, large and small drums, and many parallel horizontal panels. Next to the main hall is the front hall, which has 4 large steles recording the restoration of the pagoda, naming the pagodas and monks who contributed to building the pagoda. The innermost area is the Hau Tam area, the Eastern statue, the Western statue and the To hall. Behind the Main Hall is the Hau Temple worshiping Ksitigarbha, Pho Lien Hoa and Ai So Than. On both sides are the Eastern statue - the residence of the Sangha and the Western statue worshiping incense. Going through an open yard with many precious ornamental plants, you will reach the To Duong. The Ancestral House was built quite simply as a place to place the thrones of the patriarchs and abbots of the pagoda through generations. The system of dragon statues and tablets is also very delicately and elaborately carved, demonstrating the talented hands of ancient artisans. Source: Collection of Quang Nam tourism newspaper

Da Nang 3579 view

Rating : National monument Open door

Quan Cong Temple

Quan Cong Temple (address - 24 Tran Phu Street) is also known as Ong Pagoda, the literal name is Trung Han Cung, built by the Minh Huong people who settled in Hoi An and the Vietnamese together in the mid-17th century. . The temple worships the talented general Quan Van Truong (Quan Vu or Quan Cong), a famous historical figure of the Three Kingdoms period who is very admired. He is one of the "Ten Saints of China" and the "Four Great Three Kingdoms", becoming a model and symbol of Righteousness - Trust - Faithfulness - Courage, and is honored as a Saint. Worshiping Quan Cong aims to admire and praise his kindness and loyalty, so that people can follow his example. Guan Yu is one of the most famous generals in Chinese history. He had many great contributions, defending Han, suppressing Wu, and destroying Wei. Because Hoi An used to be an urban area - a trading port, where trading contracts of Chinese merchants often took place, the Quan Cong temple was built according to their religious needs. The architecture of Quan Cong Temple consists of four buildings, a vestibule, two left and right palaces and a large main hall. The four buildings were built in a script style, stacked in structure, with unique roof tiles and roofs, decorated with elaborate dragon motifs. The main hall has a statue of Quan Cong, dressed in a dragon-embroidered robe embossed with gold, his face is majestic and bright, his eyes looking forward in ecstasy. The main hall also has two statues: Chau Thuong, the brave and loyal servant of Quan Cong, and the statue of Quan Binh's loyal son; with two horses the same height as real horses, on the left is a white horse, on the right is a red horse - a war horse that Quan Cong is very precious about. These statues are exquisitely crafted, demonstrating the skill of ancient craftsmen. In addition, in Quan Cong Temple there are many willow plaques, banners, ordinations, stone steles and ancient artifacts. In particular, the Temple also preserves the ancient poem and fable composed by Xuan Quan Cong Nguyen Nghiem (father of the great poet Nguyen Du) in 1775, when serving as left general of Binh Nam army. in Hoi An; along with two paintings by Uong Si Cu and Nguyen Lenh Tan. Having gone through many ups and downs of history, everything remains intact. It is also a rare historical relic that still exists today, preserving the mark of the Trinh - Nguyen conflict in Dang Trong from the 18th century. Quan Cong Temple was granted the title of National Historical - Cultural Monument on November 29, 1991. Source: Quang Nam Tourism Newspaper

Da Nang 4321 view

Rating : National monument Open door

Phuoc Kien Assembly Hall

Phuoc Kien Assembly Hall or Phuc Kien Hoi An is located at 46 Tran Phu, Cam Chau, Hoi An, Quang Nam. Phuoc Kien Assembly Hall in Hoi An was built in 1690 by people from Fujian (China) who moved to Hoi An to live and create. Previously, the Assembly Hall was built entirely of wood and then in 1757 it was rebuilt with bricks and a tiled roof as it is today. Phuoc Kien Assembly Hall in Hoi An is a place to worship Lady Thien Hau Thanh Mau and the guardian deities of rivers, water, money, children, ancestors and is a meeting place for mutual help of compatriots from all over the world. Fujian, the earliest and most numerous people came to Hoi An. Phuoc Kien Assembly Hall is most crowded on holidays and full moon days. On the days of Nguyen Tieu (January 15 of the lunar calendar), Via Thien Hau (March 23 of the lunar calendar),... every year, many festive activities will take place at the Assembly Hall. The Assembly Hall is built in the style of the letter Tam, with gates, courtyards, small landscapes, and 2 rows of East and West houses, main hall, backyard, and rear hall. Phuoc Kien Assembly Hall was designed and built in Chinese architectural style. The Tam Quan gate bears traces of time, covered with yin and yang tiles and a curved roof. The top is adorned with winding dragons, symbolizing authority and solemnity. With a fairly large campus, decorated with many potted plants and a rockery, outstanding with the image of a carp turning into a dragon. The lobby also has incense wreaths for you to wish health and fortune for your family. In the vestibule there is also a set of stone tables used as a meeting and business discussion place for Fujian merchants. Inside the main house is the place to worship Thien Hau Thanh Mau and the gods protecting rivers, money, children, and ancestors. The Assembly Hall still preserves many valuable artifacts, including: bronze bells, worship statues, bronze drums, incense burners and 14 exquisite horizontal panels... Therefore, this place not only has historical significance but also It also has great cultural value. On the right side of the main hall is also displayed a model of the merchant's boat in distress. This boat was previously used for seafaring and dates from 1875 with many characteristic details. Phuoc Kien Assembly Hall is a place that people worship and is very sacred. Besides, the Assembly Hall also makes a strong impression with its unique and unique Chinese architecture. This is a project containing many historical and cultural values. In 1990, this place was recognized as a national historical and cultural relic. Source: Compiled by Quang Nam Tourism Newspaper

Da Nang 3878 view

Rating : National monument Open door

Cau Pagoda

Hoi An Covered Bridge is located on Nguyen Thi Minh Khai street, Minh Khai ward, Hoi An ancient town. Covered Bridge was built across a small branch of the Thu Bon river, connecting Nguyen Thi Minh Khai street and Tran Phu street, the main roads of Hoi An ancient town. The main components of the Covered Bridge include 2 parts: the pagoda and the bridge. The pagoda has an area of ​​about 60 square meters and was built to worship Northern Emperor Tran Vo. The bridge has an area of ​​75m2 and is about 18m long. There is a legend about Covered Bridge that explains why it was divided into two parts. In the 17th century, Japanese merchants pooled money to build a bridge that symbolized the image of a sword piercing the back of the monster Namazu (a monster that often swings its tail to create earthquakes). to be able to control it and keep life peaceful. After a while, a pagoda was built on the northern side of the bridge, so the new bridge was called Chua Cau. In 1719, Lord Nguyen Phuc Chu visited Hoi An and named the bridge "Lai Vien Kieu", meaning "Bridge to welcome guests from afar". In particular, in 1990, Covered Bridge was recognized by the state as a national historical-cultural relic and its image is depicted on Vietnam's current 20,000 VND polymer banknote. The space of the Pagoda on the Bridge is quite small. First-time visitors may be surprised because we still call it the Bridge Pagoda but do not worship any Buddha. The pagoda is located in a small corner on the bridge, with the door built according to Chinese cultural architecture and carved with many sophisticated motifs. In the middle of the pagoda is a statue of Northern Emperor Tran Vo general made of wood, with the desire to pray for peace and tranquility for the surrounding residents. Hoi An Bridge Pagoda was built by Japanese merchants around the 17th century, so you can sometimes hear people call it the Japanese bridge. However, overall, you will clearly feel the three cultural streams of China - Japan - Vietnam skillfully mixed to create the Covered Bridge. The yin-yang style roof is a common feature of ancient houses in Hoi An. Right at the door are two sacred beast statues, a monkey statue and a dog statue, with the meaning of standing and preventing monsters from attacking and entering the Covered Bridge. These statues are made from jackfruit wood with delicate and extremely vivid sculptures, and in front of each statue is an incense burner. The pillars and columns inside the bridge are carved in extremely detailed and sophisticated detail, clearly showing the aesthetics and worship beliefs of the people of the old town in the past. Thanks to that, coming here you can feel the hustle and bustle of the past as well as the worship of the gods, the strong belief in the power of the gods to protect and protect them. overcome difficulties or evil spirits. On February 17, 1990, Covered Bridge was recognized as a National Historical - Cultural Monument. Source: Quang Nam Tourism Newspaper

Da Nang 3793 view

Rating : National monument Open door

Mausoleum of Doan Quy Phi (Vinh Dien Mausoleum)

Doan Quy Phi's tomb is located in Chiem Son village, Duy Trinh commune, Duy Xuyen district, Quang Nam province. Queen Hieu Chieu, also known as Concubine Doan, is the Chief Concubine of Lord Nguyen Phuc Lan, and the mother of Lord Nguyen Phuc Tan. She is famous in Dang Trong with the nickname Lady Tam Tang; At that time, she was a famous and benevolent National Mother, helping people develop the profession of reeling and weaving silk. The noble concubine's name is Ngoc, born in 1601 in Dien Chau village, Dong Yen district, Duy Xuyen district. Now it is Duy Trinh commune, Duy Xuyen district and Dien Phuong commune, Dien Ban town. After Lord Sai passed away in 1635, Crown Prince Nguyen Phuc Lan became Lord. Lord Nguyen Phuc Lan decided to move his palace from Phuoc Yen village (Quang Dien) to Kim Long village (Phu Xuan). Doan Thi Ngoc was given the title Doan Quy Phi and her father, Mr. Doan Cong Nhan, was given the title Thach Quan Cong. Although he lived in the royal palace, Doan Quy Phi did not forget his old profession, wholeheartedly encouraged growing mulberries and raising silkworms, weaving silk to grow silk, thanks to which the funeral silkworm industry of Dang Trong developed brilliantly, not only in the villages along the two sides. on the Thu Bon River in her hometown Quang Nam but also in the capital Phu Xuan. Hoi An has become a developed trading port, open to foreign exchanges, in which sugarcane, forest products and especially silk have become the main export items. Later, the people of Dang Trong remembered her gratitude and honored her as the Queen of Silkworms. At the end of his life, it is unclear what year, Doan Quy Phi left the Lord's Palace in Kim Long, Phu Xuan and returned to live in Thanh Chiem Palace, Quang Nam with his children, grandchildren, and relatives in his homeland. The delegation wholeheartedly supported and encouraged the people of Dien Ban and Thang Hoa districts to develop mulberry growing, silkworm rearing, silk reeling, and silk weaving, thanks to which the funeral silkworm industry in Dang Trong was expanded and developed. . Concubine Doan gave birth to three sons, of whom Nguyen Phuc Vo and Nguyen Phuc Quynh both passed away early, son Nguyen Phuc Tan was the second son, and became the Crown Prince, known as Thai Tong Hieu Triet. As for the youngest princess, according to the recollections of Doan clan elders in Chiem Son village, Duy Trinh commune, Duy Xuyen district, she has many different names, but is often called Nguyen Phuc Ngoc Dung and has a birth defect. discounted price with the Grand Master named Minh and also passed away early. When her son Thai Tong, Emperor Phuc Tan, ascended the throne, she was honored as Lady of the Kingdom. Lord Hien Nguyen Phuc Tan buried his mother at Go Coc Hung in Mong Linh canton, about half a kilometer from the mausoleum of Queen Mac Thi Giai, Lord Nguyen Phuc Nguyen's queen, and not far from the tomb of Princess Nguyen Phuc. Ngoc Dung. Lord Nguyen Phuc Tan built Vinh Dien Mausoleum; God also provided five acres of land from the temple in Phu Trang village to use the yield to care for and repair the Mausoleum and the Church. The great flood of Sai Thi Giang occurred in the year Canh Thin 1680 during the reign of Le Hy Tong, the 32nd year of Thai Tong Nguyen Phuc Tan, causing a tornado right in the middle of Dong Yen village, cutting Dong Yen village into two parts, Dong Yen West. and Dong Yen Dong and after this cataclysm, Notre Dame Cathedral was destroyed. In 1744, Lord Nguyen The Tong ascended the throne and posthumously appointed Emperor Nguyen Phuc Lan to Than Tong, and she was also posthumously promoted to Trinh Thuc Tu Tinh Hue concubine. In the 5th year of Gia Long's reign (1806), Emperor The To Cao posthumously honored her as Trinh Thuc Tu Tinh Mau Due Hue Kinh Hieu Chieu, queen, worshiping with Than Tong emperor Nguyen Phuc Lan at Thai Mieu in Phu Xuan, court. 1st on the right. Every year on March 24 of the lunar calendar, people around the region and their clans often hold an incense offering ceremony to commemorate her. Source: Quang Nam province electronic information portal

Da Nang 4158 view

Rating : National monument Open door

Dong Duong Buddhist Institute

The archaeological historical and architectural artistic relic of Dong Duong Buddhist Monastery (Dong Duong Buddhist Monastery Ruins Area) is located in Dong Duong village, Binh Dinh Bac commune, Thang Binh district, Quang Nam province. Dong Duong Buddhist monastery only really became known when French scientists announced the results of research and excavations. According to the content of the stele found in Dong Duong, in 875 King Indravarman II built a Buddhist monastery and temple to the Bodhisattva protecting the dynasty, Laskmindra Lokesvara Svabhyada. The nature of Mahayana Buddhism is clearly shown through the content of inscriptions as well as sculptures in Dong Duong. During the reign of Indravarman II, the capital of the Champa kingdom was moved from the Panduranga region back to the Amaravati region, with the new name Indrapura. According to some researchers, the location for building the capital Indrapura was the Dong Duong village area today. The capital is located in Dong Duong field, about 2 km2 wide (according to the interpretation of French researchers, Dong Duong means sacred field. The word "Duong" is a variation of the word "Yan" - heaven, sacred. in Cham language). It is a rectangular valley with three sides East, South and West surrounded by high mountains and hills. To the north is Ly Ly stream, the gateway to trade with the outside is arranged very discreetly. The inscription also records the king's piety, saying that in 875, "Due to his belief in Buddhism, the king built a Buddhist monastery (Vihara) and the Laksmindra Lokesvara Svabhayada temple. The inscription also talks about the realm of bliss (svargapura) or the "liberated city" (moksapura), the "residence" of Buddha (Buddhapada). The king emphasized that those who commit crimes must be damned to hell. After construction was completed, the king also donated a lot of land, money, slaves and many other things to Lokesvara. The king advised: After his death, his name was changed to Paramabuddhaloka. All of the above events have proven that King Indravarman II was identified with Buddha in the form of Bodhisattva. Champa Buddhism during this period followed Mahayana. In September 1996, the Vietnam Institute of Archeology, Hanoi National University and Quang Nam - Da Nang Museum coordinated a survey in Dong Duong village. Archaeologists have found that, in addition to the architectural vestiges of the Buddhist monastery, there are not many traces of human residence during the Champa kingdom in Dong Duong village. The climate in Dong Duong village is very harsh, the land is arid, the arable soil layer is only about 40 - 50cm thick, in some places it is only 20cm thick, underneath is laterite layer, this is not a convenient place to build. capital. It can be said that Dong Duong is purely the Buddhist Holy Land of the Champa kingdom, while Indrapura capital must be a larger area, outside the Dong Duong Buddhist monastery. The Buddhist monastery is a large architectural complex nestled within a rectangular citadel wall called the outer citadel, with its long side running in the main East - West direction, measuring about 155m by 326m. The remaining traces of the foundation show that this was a quite large and high wall. The outer citadel contains 3 East-West coaxial architectural clusters and 3 large artificial lakes. There are 2 lakes in the Northeast corner and one in the Southeast corner. Today one has been leveled for farming. In addition, the southeast corner of the outer citadel also has architectural traces of a long building. The outer citadel has two gates, East and West. Currently, traces of the gate are very faint. Inside the Outer Citadel there is the Inner Citadel. The inner citadel surrounds the central temple, including the main tower. The inner citadel also has a special tower called the Well Tower - located in the southwest corner of the inner citadel, which has been buried today. + Main temple area: located in a rectangular area. + East group: only traces of the foundation of the long house remain, which researchers believe is a Buddhist monastery (Vihara). + Middle group: only traces of the base of the walls and steps of a long house along the East-West axis remain. + West group: includes the main temple and surrounding auxiliary towers, this temple belongs to the traditional tower type of Cham architecture; During the discovery and excavation of the Dong Duong Buddhist Monastery Ruins, archaeologists found many valuable artifacts such as: stone statue of Dharma Protector, stone Buddha statue, group of stone Siva statues, statues of Buddha. Bronze Buddha (national treasure - kept at Ho Chi Minh City Museum of History), bronze goddess statue,... Most of the sculptures in Dong Duong are displayed at the Cham Museum in Da Nang. The sculptures in Dong Duong formed a famous artistic style from the middle of the 9th century to the end of the 9th century, called Dong Duong style. Dong Duong is a very unique Buddhist relic site of the Cham kingdom, not only has typical value in Vietnam but is also a rare Buddhist relic in the world during the ancient and medieval periods. Through the remaining artifacts, it reflects the heyday of a royal dynasty, and at the same time brings Cham sculpture to its pinnacle. From a religious perspective, Dong Duong makes a unique contribution to the Buddhist art of humanity, exemplary in its display, in the meaning of worship statues, reliefs, and layouts, and is also rare among Buddhist relics. Ancient religion remains today in Vietnam and Southeast Asia. With particularly typical values, the archaeological historical and architectural artistic relic of Dong Duong Buddhist Institute was ranked by the Prime Minister as a special national monument on December 22, 2016. Source: Department of Cultural Heritage

Da Nang 4171 view

Rating : Special national monument Open door

My Son Sanctuary

My Son relic site (in Duy Phu commune, Duy Xuyen district, Quang Nam province), is the most famous architectural complex of the Cham people in Vietnam. My Son relic site was built from the late 4th century to the 13th century. On April 29, 1979, the Ministry of Culture and Information recognized My Son as a historical, cultural, architectural and artistic relic. Currently, this place has been included in the list of 23 especially important national monuments by the Prime Minister of Vietnam. Construction began in the 4th century by King Bhadravarman (reigned from 349 to 361) and ended in the late 13th and early 14th centuries under the reign of King Jaya Simhavarman III (Che Man), My Son is a The complex has more than 70 temples and towers with many architectural and sculptural styles representing each historical period of the Champa kingdom. Most of the architectural works and sculptures at My Son are influenced by Hinduism. The temples and towers mostly face the rising sun, the abode of the gods; Except for a few towers facing west or both east and west, expressing the thoughts of the afterlife of deified kings after death and to show nostalgia for their ancestors. Devastated by war, by 1975, My Son had only 32 works left, of which about 20 still retain their original appearance. Unfortunately, the largest project is the 24m high A1 tower, with 6 surrounding sub-towers. This tower is considered a masterpiece of Champa architecture and was destroyed by American bombs at the end of 1969. The main temples in My Son worship a set of Linga or the image of Siva - the protector of the Champa kings. The god worshiped in My Son is Bhadravarman, the king who founded the first king line of the Amaravati region in the 4th century combined with the name Siva, becoming the main religion worshiping the god-king and royal ancestors. After many years of ups and downs and changes in history, today My Son Sanctuary is still a relic with unique cultural, artistic and architectural values ​​of humanity, it is the crystallization of wisdom and talent. flowers of many generations. My Son relic site was officially recognized as a World Cultural Heritage by the UNESCO World Heritage Committee on December 1, 1999. The noticeable highlight here is that the ancient Champa architecture seems to still be intact, such as the statue of Siva, stone steles, mascots and the ancient temple system. After visiting all the sightseeing areas here as well as being introduced to My Son Sanctuary, visitors will experience the culture of the ancient Champa people through art performances such as trumpet playing, dance. Siva's graceful and attractive dances will leave unforgettable impressions. Source: Quang Nam province electronic information portal

Da Nang 4389 view

Rating : Special national monument Open door

Hoi An

The ancient town of Hoi An (Quang Nam province) has just been awarded the "Asia's Leading Cultural City Destination" by the World Travel Awards (WTA) for the first time, affirming its attraction. UNESCO world cultural heritage. Formed and developed in the 16th century, Hoi An - an ancient city located on the banks of the romantic Hoai River, in the coastal plain of Quang Nam province, was once one of the busiest international trading ports in the region. . From the 16th century, this was the gathering place for goods of traders from China, Japan, the Netherlands, India, Spain... Therefore, Hoi An is considered a convergence and intersection point. blend of East and West cultures. Up to now, Hoi An has become a famous and indispensable destination in the journey to explore the Central region. The ancient town of Hoi An is famous for its typical architecture of traditional trading ports in Southeast Asia and is still preserved almost intact. Through many ups and downs of history, the flow of time covers Hoi An with a peaceful and quiet beauty. In contrast to the modern city, Hoi An impresses visitors with moss-roofed houses, ancient yellow painted walls and lanterns that make up the Hoi An brand. This coming November 2019, Hoi An Ancient Town will celebrate 20 years of being recognized by UNESCO as a World Cultural Heritage. This place owns a system of 1,360 relics, including 1,068 ancient houses, 11 ancient wells, 38 clan churches, 19 pagodas, 43 temples, 23 communal houses, and 44 special ancient tombs. and an ancient bridge. With unique architecture, each house in Hoi An ensures harmony between living space and nature. Therefore, in addition to arranging the house into many compartments, the yard of the house is paved with stones and decorated with water tanks, rockeries, and ornamental plants, creating an airy and light-filled space. A characteristic feature of the architecture in Hoi An is the streets built in a checkerboard shape, winding along the river and embracing the houses. In each peaceful corner, visitors can easily see street vendors with many famous culinary dishes such as Cao Lau, Quang noodles, banh mi, chicken rice... or shops selling handicraft items. turmeric. It all seems to reflect the simple, slow and soulful life of the people here. Walking in Hoi An, visitors will have the opportunity to visit pagodas that are hundreds of years old (such as Covered Bridge, Phuoc Lam Pagoda, Van Duc Pagoda...), admire the Chinese Assembly Hall buildings with Sophisticated and colorful architecture, immersing yourself in the bustling festival atmosphere with folk games such as singing "Chit song", singing drills, playing Chinese chess... On December 4, 1999, the Hoi An ancient town relic area An has been recognized by UNESCO as a world cultural heritage. By 2009, Hoi An ancient town was ranked by our government as one of Quang Nam's historical relics, recognized as a national historical relic. The "Asia's Leading Cultural City Destination" award is an affirmation and honor of the unique cultural values ​​of the World Cultural Heritage of Hoi An, while also contributing to promoting the image of Hoi An tourism. in particular, Vietnam tourism in general attracts a large number of international tourists. Source: Vietnam National Tourism Administration

Da Nang 4133 view

Rating : National monument Open door

Long Thu pagoda stele relic (An Long pagoda)

The relic stele of Long Thu pagoda or An Long pagoda (Binh Hien ward, Hai Chau district) is a unique original artifact, with a unique form compared to all other types of stele at the same time in the Quang Nam-Da Nang region. is an extremely important document that contributes to the study of many historical and cultural issues of Da Nang. Long Thu Pagoda's stele is kept at Long Thu Pagoda (now An Long Pagoda - this name was changed after 1920), formerly in Nai Hien village, Tan Phuc district, Dien Ban district. The stele was made of gray sandstone in the 5th year of Thinh Duc, during the reign of King Le Than Tong (1657), compiled by Mr. Le Gia Phuoc, dharma name Phap Giam (from Hai Chau village, Dien Ban district). The size of the beer is gradually reduced from the bottom up, creating a round top that looks like an upside-down bell from afar. The height of the beer from the top to the bottom is 1.25m, 1.20m wide, 0.21m thick. The forehead of the stele has a title consisting of 6 large horizontal letters "Establishing the Stone Epitaph at Thu Long Pagoda", which according to the common translation is understood as "Establishing the stele on the stone at Thu Long Pagoda". The entire stele has 368 words (including 6 title words), including 360 small words in the middle of the stele, carved in 18 vertical rows from right to left. At both ends of the stele are 2 small "swastika" words. than. Both sides of the stele are decorated with garlands of flowers and leaves, and the top has a shape of the sun placed in a ring of fire. Currently, the stele has many faded letters that have to be reattached with cement mortar. Fortunately, the French Far East School made stamped copies and the Vietnam Han Nom Research Institute kept 3 stamped copies. This is the earliest dated stele, as well as the formation of Long Thu pagoda built by the Vietnamese community in Da Nang, this shows that the settlement was quite stable in the villages of Nai Hien and Hai Chau. very early. Regarding the construction of Long Thu Pagoda, the stele at the pagoda said: "All villagers agreed to build a new pagoda." Not only building the pagoda, the painting of statues and casting of bells were also carried out by the people at the same time. The epitaph clearly states: "The Hoi master, along with virtuous and religiously enthusiastic women and men, offered what they could. to decorate the main hall and create Buddha statues, at the same time cast a bell, build a bell tower...". The content of the epitaph shows that since ancient times, in the land of Nai Hien village, Tan Phuc district, Dien Ban district, Buddha often appeared to save many people. This place is a sacred land, believers come to pray for divine fulfillment. , see the image of a dragon's head (dragon head). Considering it to be a sacred gathering place, Nai Hien villagers and many local dignitaries, from Cai and his wife belonging to Association President Nguyen Van Chau, Cai and his wife joined Ty Tuong Than Lai Tran Huu Le, Lai Ty Tuong Than. Lai Tran Huu Ky, Commune Chief Pham Van Ngao and all the villagers agreed to build a new pagoda, on the land donated by Mr. Tran Huu Le. The association's owner, along with virtuous, religiously enthusiastic girls and boys, took care of arranging worship statues, casting bells, building a bell tower to hang bells and drums, and building a bell tower with a drum tower to serve as a place to worship Buddha. In addition to the above, many believers have spent money to buy more than three acres of fields in Cua Dinh and Gieng Vung areas to make offerings to the temple. The stele also lists a list of people who donated money and fields to the pagoda, headed by a Governor named Tran Van Huyen and his wife Nguyen Thi Van... The epitaph is an extremely important document that contributes to the study of many historical and cultural issues of Da Nang; Provides a lot of information to learn and confirm some issues about titles, place names, and local land situation. Besides, the layout, theme and decorative motifs on the stele are also criteria for accurate dating to be able to compare and research the art of the second half of the 17th century in Dang Trong. From those heritage values, in 1992, the Ministry of Culture and Information ranked the stele as a national monument. Recently, in November 2014, the People's Committee of Da Nang City submitted a document to the Ministry of Culture, Sports and Tourism requesting recognition as a national treasure for "Long Thu Pagoda Stele" along with 3 other Da Nang artifacts. Nang is the Heart of Fire, Nghia Trung stele is Phuoc Ninh and Pho Da Son stele is the Buddha. Source: Da Nang Electronic Newspaper

Da Nang 5327 view

Rating : National monument Open door

Trung Hoa Cemetery (Khue Trung Cemetery)

Nghia Trung Hoa Vang relic site (also known as Khue Trung Cemetery), is currently located on an area of ​​4,000 square meters in Khue Trung ward, Cam Le district. It is the resting place of more than 1,000 martyrs and patriots who fell in the early days of resistance against the French (1858 - 1860). At dawn on September 1, 1858, the French-Spanish coalition attacked the Da Nang estuary, beginning the invasion of Vietnam. With the spirit of solidarity for the country, our army and people fought back fiercely. During nearly 19 months of fierce fighting, thousands of soldiers sacrificed their lives heroically, making an important contribution to the failure of the French colonialists' attempt to quickly occupy Da Nang. Under war conditions, the gathering and burial of martyrs at that time was only temporary. When Da Nang was liberated, the people set up graves and gathered remains, building graves for soldiers who died here. Nghia Trung Hoa Vang was formed in 1866 in Nghi An village, Phuoc Tuong canton, Hoa Vang district. When the French colonialists built Da Nang airport (1925 - 1926), people had to move Nghia Trung to Ba garden in Khue Trung village. In 1962, Da Nang airport continued to expand, Nghia Trung was moved to its current location. Despite many relocations, Nghia Trung still retains the ancient stele engraved with the four words "Hoa Vang Nghia Trung" established in the 19th year of Tu Duc (1866) and two stone pillars inscribed with two parallel sentences: “The An Triem dry bones are inherited from ancient times The remnants of the soul reunited with gold." Roughly translated: “The king gave me bones to pass on old signs Keeping the remnants of my soul, I can see it now." Nghia Trung Hoa Vang is a place that preserves the sacred souls of rivers and mountains, and is a monument honoring the heroic spirit of fallen national heroes. At the same time, it is the place that marked the defeat in the first battle of the French army when attacking Da Nang. Next to Nghia Trung with more than a thousand tombs is a complex of cultural and historical relics, including: Hoa Que Tower Ruins, Ba Temple, a square Cham ancient well built of sandstone, tower ruins. Cham and the Ancient Church of Hoa Que village. In particular, the village's Ancestor Church and Ba Temple are valuable historical and cultural works, where local revolutionary cadres used them as secret locations for revolutionary activities. To commemorate the ancestors who contributed to building the village and the soldiers who sacrificed their lives in the early days of the resistance war against the French-Spanish coalition, every year in the third lunar month, the People's Committee of Khue Trung ward, Cam Le district solemnly organized the Martyr Sacrifice Ceremony with Khue Trung Village Association at Nghia Trung Relic Area. Nghia Trung Hoa Vang relic site was recognized by the Ministry of Culture, Sports and Tourism as a National Historical Site in 1999. Source: Da Nang Electronic Newspaper

Da Nang 5789 view

Rating : National monument Open door

Bo Ban village communal house

Bo Ban communal house is currently located in Bo Ban village, Hoa Phong commune, Hoa Vang district, Da Nang city. In the late 15th century (around 1470), following King Le Thanh Tong's call to move south with the motto: "North, earth and ocean create national history/Southern sky, karma, karma, mingling name", the ancestors of The four clans Tran, Ho, Truong, and Nguyen went to clear land, settle down, form a brotherly relationship, and join hands to build a new land, a new life. Bo Ban village was formed from there. During the reign of King Le Hien Tong (1740-1786), the families Tan, Dinh, Nguyen, and Pham joined and joined hands to build the homeland of Bo Ban. Bo Ban Communal House was built in the year Canh Than, the reign of Canh Thinh (1800) with thatch and bamboo at the Tam Vi Temple mound located to the East. In the year of Nham Ty, the 5th reign of King Tu Duc (1852), the communal house was completely and spaciously rebuilt with durable materials at a new location, about 200m west of the old location, with cool terrain behind. There is high Temple Mound, on the right there is Go Chua, on the left there is Go Oi, called "dragon and tiger festival", in front of the communal house is a large field, adjacent to Cam Toai village and Yen River. On March 25, the year Binh Ngo, Thanh Thai's 18th year (1906), the communal house was restored for the first time. Through ups and downs of time, natural disasters, storms and floods, especially after storm No. 2 on April 19, 1989, the communal house was partially damaged. Therefore, on May 12, 1990, people repaired the communal house, including re-roofing the entire tiled roof and some wooden structures inside. In 2007, Bo Ban communal house was restored on a large scale from the State budget. By 2011, the construction of peripheral works such as city walls, three-entrance gate, and garden continued, so the communal house became even more spacious. Architecturally, Bo Ban communal house has the shape of the word "Nhat" in the style of three rooms and two wings, facing south. The communal house has a total of 36 columns made of jackfruit wood and kien kien, including eight main columns (first column) 4.5m high, eight second row columns 3.5m high, eight third row columns 2.3m high, four punched columns, four pillars and four pillars at the side door. On the bars and trusses are carved and decorated with themes such as dragon heads, four times, four quarters, chess, poetry, etc. with soft, sophisticated lines creating unique works of art. The communal house's roof is covered with yin and yang tiles. The roof has "two dragons and moons" attached to the roof; The middle part of the front roof has a high ridge decorated with images: phoenix, turtle... The two ends of the roof are decorated with images: bats, birds, and locs. All are shaped through masonry and ceramic grafting techniques. Outside the large yard, there is a large screen, the inside is decorated with a turtle image, the front is decorated with a dragon and horse image. Bo Ban Communal House is not only a cultural institution, a typical architectural work - traditional belief, but also the place where many important historical events of the local revolution in the liberation movement took place. nation. During the August Revolution of 1945, the protest group of An Phuoc general, Hoa Vang district started from Cam Toai village communal house to gather at Bo Ban communal house yard and then went to fight for power. This is also where the Bo Ban Commune Resistance Administrative Committee was established - where regular meetings between people and officials of the early revolutionary government took place. At the same time, it was the place where the first National Assembly election polling station of the Democratic Republic of Vietnam was successfully established, and where the first local popular education class was born. During the resistance war against the US to save the country, here in 1960, a trial was opened for those who followed the US - Diem against the revolution, from the Hamlet Chief, the Deputy Hamlet to the Lien Patriarch. On the day the country was completely liberated, the communal house was a place to receive puppet troops and puppet authorities to surrender and surrender their weapons, and a place for people in the village to learn the policies of the Party and state. Currently, Bo Ban communal house still retains a stone stele created in the 5th year of Tu Duc (1852). Bo Ban communal house was recognized as a national monument on January 4, 1999. Source: Da Nang Electronic Newspaper

Da Nang 4436 view

Rating : National monument Open door

Outstanding relic site